This blog was written for primeloops.com – check them out for some ace samples and to see my blogs 2 months earlier!
Sometimes being filthy is a good thing.
It’s seen in electronic music from Dirty South to Glitch Hop. It’s there to make people pull faces that aren’t usually seen outside of lemon taste-testing groups. It’s like a good scary movie – horrific, but you can’t help but be engaged by it.
Here are 10 ways to make your dirty beats even dirtier.
1. Dark melodies – When writing your synth hooks, use notes one semitone apart to create a dark feel to your beat.
2. Dissonant synths – It’s common practice to detune two oscillators from each other a bit to thicken a sound – try going beyond “a bit”.
3. Deeper bass - An overwhelmingly deep bass sound can take a listener’s stomach out from underneath them. Cut anything above about 300Hz with an EQ and watch the floor shake.
4. Distorted drums – You can’t get much dirtier than a drum sample pushed through a distortion effect. Try this with live sounding drums for even grittier beats!
5. Disgusting harmonies – For your vocal hooks, try duplicating the vocals to another track, then taking it up a semitone. Ouch, my ears! …In a good way of course.
6. Distasteful samples – A quick way to make something dirty is with dirty words! Be creative and try splicing grimey vocals into your choruses!
7. Decay and Release – Try turning down the Decay for a sharp attack sound on your lead synths and turning up the release to make the dissonant notes really stand out!
8. Deranged FX – When searching through your sample banks there are always a few which make you think “Eurgh! I’d never use this in a song!” – Use it. Try processing it with some phase or distortion to make it even more unusual!
9. Drastic Changes - Want to have a song REALLY feel evil? Do a key change down a semitone. I think Satan just called for his mummy.
10. Drop the Beat – Remember to keep your music interesting. Take out the beat to emphasise certain hooks and when you bring it back, it’ll feel like a punch in the face.


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