ridcully123 wrote:Oh sorry for the confusion, I actually love the modulation

I just was thinking that the E maj chord would be a good addition, adding even more tension. But then again this advise is stylistic not technical.
No worries, I am easily confused by this stuff. The chords are F# Major to D major to B major to A Major to G major to F # major. It's a little confusing to follow in the track as the notes from each chord cross in and out, as well as the bass line adapting to when a significant chord change happens and following it with one of the notes that changes in the chord pattern (standard warm easy listening writing technique for me

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As for the dry synths and groove, I definitely agree theres room for reverb and I might look into some sort of beat keeper in those breaks, but I feel like theres enough so that its not 5 and a half minutes of constant thumping.